News & Events
Imagine Europe: Europe Between Vengeance and Virtue - America’s Treatment of Enemies During and After WWII
A talk by Zachary Shore, Professor of History at the Naval Postgraduate School and Senior Fellow at the Institute of European Studies, University of California, Berkeley
Tuesday, May 2 | 12:30-1:45 p.m. | in Music 245
What kind of country is America? Some say it’s a racist nation. To others, it’s the
greatest country on earth. One way of examining America’s soul is by asking how it
treats its enemies. This talk explores the battles over whether to let the German
people starve in the early years of U.S. occupation. But the talk places these debates
over Germany in the larger context of vengeance by revisiting the internment of Japanese
Americans and the atomic bombings of Japan. It asks who really supported each of these
vengeful policies, and the answers will surprise you. Contrary to what we’ve been
told, in each case, most Americans, and most key officials, favored mercy over revenge.
But if that’s true, how, then, did those harsh policies get pushed through?
Vengeance is only one side of the story. Virtue is the other. This talk also examines America’s attempts to atone for its wartime acts through postwar humanitarian campaigns across Europe. Most people today have no idea that Americans once chose to go hungry to help feed their former foes. By rescuing millions of migrants, minorities, and average Europeans, the U.S. transformed its image in the eyes of the world. Yet even those actions faced a backlash. This is the story of how a handful of leaders overcame domestic resistance and mounted extraordinary efforts to save countless lives across continents. To understand the U.S., we must grapple with all the good and bad, the kindly and the cruel decisions, that produced the American century.
Sponsored by the Department of European Studies with CAL’s IRA funds and the Department
Albertine Cinematheque at SDSU
7 days, 7 films, all at 7 pm
All screenings in HH 221, except April 21 and 28 films screened in Bernstein Theatre (formerly known as the Little Theatre)
All films are free of charge and have English subtitles.
Apr 19: France (2021, dir. Bruno Dumont)
Léa Seydoux brilliantly holds the center of Bruno Dumont’s unexpected, unsettling
new film, which starts out as a satire of the contemporary news media before steadily
spiraling out into something richer and darker. Never one to shy away from provoking
his viewers, Dumont (The Life of Jesus, NYFF35) casts Seydoux as France de Meurs,
a seemingly unflappable superstar TV journalist whose career, homelife, and psychological
stability are shaken after she carelessly drives into a young delivery man on a busy
Paris street. This accident triggers a series of self-reckonings, as well as a strange
romance that proves impossible to shake. A film that teases at redemption while refusing
to grant absolution, France is tragicomic and deliciously ambivalent—a very 21st-century
treatment of the difficulty of maintaining identity in a corrosive culture.
Apr 20: Benedetta (2021, dir. Paul Verhoeven)
Dr. Joanne Ferraro, Albert W. Johnson Distinguished Professor of History Emerita, will introduce the film.
Verhoeven’s sexually graphic, violent, often shocking film is based loosely on Judith
Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy (1985). Benedetta Carlini (1590–1661), an Italian nun in the Convent of the Mother
of God in Pescia, claimed she experienced mystic visions. As her fame spread, she
came to the attention of the Counter-Reformation papacy. That institution was seeking
to control potentially troublesome mystics who showed any signs of false claims or
heretical beliefs as did Benedetta. A series of investigations ensued to determine
the legitimacy of her claims. Unexpectedly, when they interrogated another sister,
Bartolomea, that they found that the two women had engaged in sexual relations. Benedetta
was stripped of her rank as abbess and remained in the convent prison until her death.
Apr 21: Happening (2021, dir. Audrey Diwan)
France, 1963, twelve years before abortion became legalized in France. Anne is a bright
young student with a promising future ahead of her. But when she falls pregnant, she
sees the opportunity to finish her studies and escape the constraints of her social
background disappearing. With her final exams fast approaching and her belly growing,
Anne resolves to act, even if she has to confront shame and pain, even if she must
risk prison to do so. This powerful, harrowing film is based on Nobel prize winner
Annie Ernaux’s autobiographical novel of the same name. NPR called it “timely and
urgent...a film that speaks to today’s abortion debate.”
Apr 26: We (2021, dir. Alice Diop)
The RER B is an urban train that traverses Paris and its environs from north to south.
A moving testament to the importance of filming as a process of bearing witness and
remembering, We is subtle and shrewd in a world which favors shortcuts and easy answers.
Justifiably adopting the fragmented structure of a patchwork portrait to describe
a riven society, Diop displays impressive control of her essay and its impact. In
the film’s first few minutes, a deer is observed, through binoculars. Isolation, discrimination,
and nostalgia for hierarchies, inherited from a monarchical past... Divisions haunt
France’s present. But the human urge to give as well as to receive stubbornly creeps
into every situation, observed or triggered. Could this be the one thing that still
keeps a nation together?
Apr 27: Gagarine (2021, dirs. Fanny Liatard & Jérémy Trouilh)
Youri, 16, has lived all his life in Gagarine Cité, a vast red brick housing project
on the outskirts of Paris. From the heights of his apartment, he dreams of becoming
an astronaut. But when plans to demolish his community’s home are leaked,Youri joins
the resistance. With his friends Diana and Houssam, he embarks on a mission to save
Gagarine, transforming the estate into his own “starship”–before it disappears into
space forever. The film was shot on the cusp of the actual demolition of the Cité
Gagarine housing project in collaboration with its residents in Ivry-sur-Seine.
Apr 28: Saint Omer (2022, dir. Alice Diop)
Technically, Saint Omer could be classified as a courtroom drama, but hardly in the
traditional sense. Rather than offering manipulated, melodramatic reversals, this
intense, stately work has the ring of classical tragedy – closer to Racine than 12 Angry Men. Named after the French town where it is set, Saint Omer is inspired by the 2016 trial of Fabienne Kabou, a young woman originally from Senegal,
charged with killing her baby daughter by leaving her on a beach. Diop attended the
trial, fascinated after reading about Kabou. “I went there under the magnetic pull
of an obsession that for a long time I couldn’t put into words. There was this psychoanalytic
and mythical dimension underlying the way she explained her actions. She said: ‘I
laid her on the sand, thinking the sea would carry her body away.’ That put the horror
of the crime to one side: I was hearing something else. I found myself making up a
story more beautiful, perhaps more acceptable than the real one, about a woman offering
her child to a sea which could care for her.”
May 3: Last Year at Marienbad (1961, dir. Alain Resnais)
Not just a defining work of the French New Wave but one of the great, lasting mysteries of modern art, Alain Resnais’ epochal Last Year at Marienbad (L’année dernière à Marienbad) has been puzzling appreciative viewers for decades. Written by radical master of the New Novel Alain Robbe-Grillet, this surreal fever dream, or nightmare, gorgeously fuses the past with the present in telling its ambiguous tale of a man and a woman (Giorgio Albertazzi and Delphine Seyrig) who may or may not have met a year ago, perhaps at the very same cathedral- like, mirror-filled château they now find themselves wandering. Unforgettable in both its confounding details (gilded ceilings, diabolical parlor games, a loaded gun) and haunting scope, Resnais’ investigation into the nature of memory is disturbing, romantic, and maybe even a ghost story.
Want more info? Visit us at https://www.facebook.com/FrenchFilmFest
This event is partially funded through an IRA grant.
New book by Emily Schuckman Matthews Examines Archetypal Characters in Russian Culture
With characters like Sonia Marmeladov from “Crime and Punishment,” the appearance of prostitutes for more than 100 years in popular Russian literature and media is expected.
Despite sex workers appearing so often in Russian fiction, few scholars have closely examined what these archetypal characters represent in Russian culture and how that compares to the reality in modern life.
Emily Schuckman Matthews authored a new book on the subject, “Sex Work in Contemporary Russia: A Cultural Perspective,” published by Lexington Books. Shuckman Matthews is an associate professor of European Studies and the European Studies program director at San Diego State University.
Read the full story on the CAL website.
Imagine Europe: Crossing the Borders and Challenging the Boundaries of White Feminism in Italy
A talk by Loredana Di Martino, Professor of Italian, University of San Diego
Thursday, March 23, 2023 | 12:30-1:45 p.m. | Gold Auditorium, Shiley BioScience Center
This talk will examine how white Italian feminists have begun to reckon with the colorblindness of their theories and are contributing to the development of a critical white feminism. Starting from key feminist texts from the 1970s, the presentation will move into more recent iterations of the so-called pensiero della differenza [philosophy of difference] that have critically reengaged with and redefined both Marxist theories of social reproduction and symbolic practices of female intersubjectivity. The discussion will consider the impact that local and international antiracist and intersectional feminisms have had in redefining white feminist imaginaries and stimulating the creation of a broader and more inclusive feminist struggle in Italy.
Loredana Di Martino is Professor of Italian Studies at the University of San Diego.
Her current research focuses on the intersections between Italian literature, gender
studies, and postcolonial and transnational studies. She investigates the relationship
between contemporary storytelling and feminist and anti-racist activism as well as
transnational feminist practices in Italy. Her most recent articles focus on Elena
Ferrante’s feminist philosophy, and the recent decolonial turn in Italian feminism.
She is working on a book project on contemporary transnational and intersectional
articulations of the so-called Italian philosophy of difference. Her publications
include peer-reviewed articles, book chapters and encyclopedia entries in addition
to the co-edited volume Encounters with the Real in Contemporary Italian Literature
and Cinema (2017) and the single-authored book Il caleidoscopio della scrittura. James
Joyce, Carlo Emilio Gadda e il romanzo modernista (2009).
Sponsored by the Department of European Studies, the Department of Women's Studies and the Italian Program with CAL’s IRA funds.
Imagine Europe: Black Italians and Cultural Entrepreneurship in Film, Fiction, Music, and Social Media
Antonio Dikele Distefano in conversation with Fred Kuwornu
Tuesday, February 7, 2023 | 12:30-1:45 p.m. | Montezuma Hall
Antonio Dikele Distefano is an Italian writer, producer and filmmaker of Angolan descent, author of five successful young adult novels with combined sales exceeding 500,000 copies. He is the co-creator of the 2021 Netflix series Zero, and the director of the 2022 Amazon Prime film Autumn Beat, both featuring young Black Italian protagonists. An inspiration to many Black Italians, he has pioneered numerous projects in publishing, television, and social media. In 2016 he founded Esse Magazine – the largest and most influential rap publication in Italy today – to showcase Black artists and performers. He owns the communication agency Cantera. With his production company he is developing films that bring Black Italian performers onto the world stage. His mission is to produce quality projects that positively portray underserved communities.
Fred Kudjo Kuwornu is an Italian filmmaker and producer of Ghanaian descent based in New York. He is the director of Blaxploitalian 100 Years of Blackness in Italian Cinema (2016), 18 IUS SOLI (2011), on the racial prejudices of the Italian citizenship law, and Inside Buffalo (2010), on the 92nd Infantry Division and the contribution of African American soldiers during WWII. He started his film career in 2008 as a production assistant on the set of the film Miracle at St. Anna directed by Spike Lee.
Event organized in collaboration with the Italian Cultural Institute of Los Angeles and co-sponsored with IRA funds from the College of Arts and Letters.
Schulze Appointed Co-Editor
Mat Schulze, German Professor and LARC director, has been appointed co-editor of Teaching German, one of the most prestigious German journals in the US. The journal’s central focus is teaching and pedagogy.
Recent Graduate Finds Language Learning Unlocks the Door to a Whole New World
With her sights set on a future career in optometry, biology student finds value in adding foreign language study to her skills set
Diva Zeckua Barajas understands the value in language learning. She grew up in San Diego in a household where Spanish was primarily spoken. The experience showed her how language barriers affect people as they navigate the basics like grocery shopping, traveling, and visiting a doctor.
When she entered SDSU with a focus on sciences, she made it her mission to learn different languages to open up future possibilities and create deeper connections with non-native speakers. “Language learning has complemented my studies,” Barajas said. She graduated this year with a degree in biology along with minors in Italian studies and leadership development. She’ll begin the Doctor of Optometry program at Western University of Health Sciences in the fall.
Read the full article on the CAL website.
War on Ukraine 2022: Perspectives from Faculty and Students
CAL faculty respond rapidly, broadly, and with compassion to help students contextualize and understand the current global crisis.
By Leslie L.J. Reilly
A collective community of scholars and experts on issues of war, Russia, and the Ukraine from CAL departments of European studies, political science, and history, the Jewish studies program, the Center for Human Rights, and the Center for War and Society, give students a chance to engage in critical conversations to help them understand the impacts of the current war on Ukraine.
“Let us be united in our compassion for one another,” said Dean Monica J. Casper. “And let us also do what CAL does especially well – apply our analytical skills to understanding the conditions and consequences of war.”
European Studies Department Takes Action
Daria Shembel, Russian studies director and adviser along with European studies program director Emily Schuckman-Matthews have both restructured their syllabi in order to help students contextualize and understand this war as well as work through the wide range of emotions they are all feeling.
Read the full article: SDSU NewsCenter | College of Arts and Letters
Emily Schuckman-Matthews at March 9 event:
Russia’s War Against Ukraine: A Historical and Contemporary Perspective
Daria Shembel and Emily Schuckman-Matthews at March 9 event:
Russia’s War Against Ukraine: A Historical and Contemporary Perspective
Professor Anne Donadey (French and Women’s Studies) is the 2021-22 College of Arts and Letters recipient of one of the major awards given at SDSU, the Alumni Association Award for Outstanding Faculty Contributions to the University. This award is bestowed annually to an outstanding faculty member from each of SDSU’s colleges and the library. It is presented at the all-university convocation at the beginning of the fall semester. This award comes at the perfect time to help Anne celebrate her 20 years at SDSU—time sure flies!
In spite of difficulties relating to the pandemic, in December 2020, the department celebrated its 20th anniversary through a wonderful and inspiring virtual celebration that featured a keynote speech by Professor Emerita Edith J. Benkov and drew a large number of attendees. Kudos go to department chair Clarissa Clò, departmental administrative coordinator Veronica Gonzalez, and French lecturer Susanne Forrayi for organizing this terrific event! Watch the 20th anniversary montage video on our website.
The same dynamic team was responsible for creating and implementing a new departmental initiative, the Imagine Europe Podcast. The inaugural podcast features Professor Emerita Edith Benkov being interviewed about the history of the department by Professor Clarissa Clò, with original music by Holly Ransom Thomson. The second podcast features lecturer Rosamaria Ruggeri being interviewed about the role of women in the 1940s Manifesto of Ventotene and her experiences growing up in Italy in the formative decades of the 1960s and 1970s. The podcasts are available on our website.
In 2020-2021, four of our faculty members received awards in support of their projects to develop inclusive curriculum:
Associate Professor Emily Schuckman-Matthews (European Studies) was awarded 3 units of assigned time from the College of Arts and Letters to develop inclusive curriculum for the European Studies program.
Lecturers Sonia Brighenti and Silvia Kading (Italian) received a 2021-22 team Equity Mini-Grant from SDSU’s Center for Inclusive Excellence to make materials for first-year Italian courses entirely accessible (including captioning their many Italian video lectures for asynchronous classes) following the principles of Universal Design for Learning.
Lecturer Felicitas Jaima (German) received a 2021-22 individual Equity Mini-Grant from SDSU’s Center for Inclusive Excellence to implement the use of new textbooks and develop new syllabi for lower-division German classes that will present a more racially and culturally inclusive picture of Germany.
Assistant Professor Cecilia Benaglia (French and Italian) was awarded 3 units of assigned time from SDSU’s Division of Research and Innovation to enhance her Research/Scholarship/Creative Activity (RSCA).
Associate Professor Emily Schuckman-Matthews (European Studies) has been very active. She was fully funded to participate in a week-long Brussels study tour (sponsored by the EU, the University of Pittsburgh’s European Studies Center, the Center for European Study at UNC, and the Eurasian Studies Program at Florida International University, to be held in Summer 2022). She was also accepted to the 2021 Virtual Summer Research Laboratory on Russia, Eastern Europe and Eurasia at the University of Illinois. Finally, she joined the Campus Editorial Committee at EuropeNow, an online magazine/journal published by the Council for European Studies.
As Director of the Language Acquisition Resource Center, Professor Mathias Schulze (German and European Studies) received major grant funding for three LARC projects: the National Language Training Center, STARTALK Teacher Camps, and the Southern Area International Languages Network (SAILN).
Lecturer Florence Miquel (French) received a range elevation in 2021. Lecturers who have been at rank for eight years are eligible for range elevation. Range elevations are awarded based on the high quality of instruction provided to students.
Administrative Coordinator Veronica Gonzalez celebrated her first year in our department and is now a permanent staff person, to the delight of each and every one of us!
Last but not least, Diana Jimenez (French) was selected as the department’s Outstanding Graduating Senior. Diana is joining our MA in French in Fall 2021. She selected lecturer Holly Ransom Thomson as her Most Influential Faculty member. This marks the 8th time in our department’s 20-year history that Holly has been selected for this honor: 2002, 2006, 2008, 2010, 2011, 2014, 2020, and 2021 – quite a track record!
Congratulations to all on your achievements, which are even more impressive during this difficult Covid-19 period!
Assistant Professor of French and Italian Cecilia Benaglia joined the department in August 2018. She holds a PhD in French and Comparative Literature from the Johns Hopkins University and was the recipient of a prestigious Andrew W. Mellon Postdoctoral Fellowship at McGill University, Canada in 2017-18.
Assistant Professor Cecilia Benaglia (French and Italian) and Professor Edith Benkov (French and European Studies) each received a major award from the College of Arts and Letters in 2020: Benaglia received the Excellence in Research award and Benkov the Excellence in Service award.
Assistant Professor Cecilia Benaglia (French and Italian) and Professor Anne Donadey (French and Women’s Studies), were both awarded competitive Critical Thinking Grants (one course release each) for Fall 2020 to further their research and publication projects. Associate Professor Kristin Rebien (German and European Studies) was awarded a Critical Thinking Grant for Fall 2018 and a Mid-Career Grant for Faculty Professional Development for Fall 2019.
Three of our tenured faculty members received whole year at half pay sabbatical leaves to work on their scholarly books: Associate Professor Kristin Rebien (German and European Studies) for 2020-2021; Professor Clarissa Clò (Italian and European Studies) for 2019-2020; and Associate Professor Emily Schuckman Matthews (European Studies) for 2018-2019.
Associate Professor Kristin Rebien (German and European Studies) and full-time lecturer Holly Ransom Thomson (French and European Studies) each received an Assigned Time for Exceptional Service to Students Award (one course release each) in Fall 2019.
Lecturer Silvia Kading (Italian) received the SDSU Cap & Gown Chapter of Mortar Board Award in 2017 in recognition of her contribution to the academic achievement of SDSU Mortar Board student members.
Lecturers Christine Guzman (German) and Holly Ransom Thomson (French and Francophone Studies) received a range elevation in 2018; Amy Harker Rosskopf (French and Francophone Studies) received one in 2019; Rosamaria Ruggeri (Italian) and Daria Shembel (Russian) also received one in 2020. Lecturers who have been at rank for about fifteen years have been eligible for range elevation. Range elevations are awarded based on the high quality of instruction provided to students.
Alumnus Maxime Mianzokouna (French MA graduate, 2009) earned a PhD in Africology at the University of Wisconsin Milwaukee in December 2018. His dissertation is titled “Developmental State Economic Model versus Neo-classical Principles: The Case of Rwanda and Burundi.”
Alumna Kathryn Schlosser (French MA graduate, 2005) earned a PhD in French and Francophone Studies at UCLA in 2018. Her dissertation is titled “Voices of Silence in Francophone Women’s Literature: Comparisons of Algerian and Mauritian Novels.”
Michaela Setiawan (French and Francophone Studies and Criminal Justice) was the department’s 2020 Outstanding Graduating Senior. She selected Holly Ransom Thomson as her Most Influential Faculty Member.
Samantha Bower (Russian and Linguistics) was the department’s 2019 Outstanding Graduating Senior. She selected Dr. Daria Shembel as her Most Influential Faculty Member.
Christopher Deutschman (Mechanical Engineering and German) was the department’s 2018 Outstanding Graduating Senior. He selected Associate Professor Kristin Rebien as his Most Influential Faculty. Lisette Kelly, 2018 Outstanding Graduating Senior in Comparative International Studies, selected Professor James Schorr as her Most Influential Faculty.
Zachary Woodall, Outstanding Graduating Senior in Russian Studies
I was born in San Diego, but spent most of my life in a small town in southern Utah. There I started my academic journey at the only state university in the city at 18, and a year later I came back to California to continue my education at Grossmont College, and then at SDSU. It wasn’t until my third year at university that I finally declared Russian as my major.
It’s hard to explain where my interest for Russian culture and desire to learn Russian come from, since I don’t have a single Russian or even Russian-speaking relative to practice with, and the places where I’ve lived up until this point aren’t exactly world-renowned for their Russian-speaking diaspora. But I think that’s just the point: There really is no good explanation for it. It just happened that way.
However, I couldn’t have picked a more motivating and fitting major to dedicate my academic career to, especially in light of recent events, when more (not less) understanding between different peoples is necessary to come to a solution that everyone can benefit from.
Daria Shembel, Most Influential Faculty Member
Professor Daria Shembel is the only professor who could fit the role of Most Influential Faculty Member for me. No one else has had such an impact on my understanding of Russia, Russian culture, the language and beyond, like Dasha has, and she has supported me with her time, patience and advice throughout my whole SDSU experience. She has helped me develop the skills and knowledge that I value most dearly, and for this reason I have chosen her as my Most Influential Faculty Member. Thank you so much, Dasha!
Professors Edith Benkov and James Schorr (French and European Studies) fully retired in May 2020 after five years in the FERP program.
Elham (Ellie) Sadegholvad (Lecturer, German) retired in December 2019 after teaching German at SDSU for over twenty years. She will continue to direct the Persian language program at UCSD.
Professor Veronica Shapovalov (Russian and European Studies) retired in December 2018. She has come back to teach part time for us beginning in Fall 2019.
Associate Professor Mary Wauchope (German and European Studies) fully retired in August 2018 after two years in the FERP program.
Congratulations to Danielle Cervantes Stephens, whose article “How Community and Literary Engagement Derailed Colonial Exploitation” was published in Sartre Studies International. Danielle is a recent M.A. student in our French program and graduated in December 2021.
Assistant Professor Cecilia Benaglia (French and Italian) published a single-authored book, Engagements de la forme. Une sociolecture des oeuvres de Carlo Emilio Gadda et de Claude Simon (Classiques Garnier, 2020).
Professor Clarissa Clò (Italian) published a book chapter, “Mondo Exotica: Ethnography, Eros, and Exploitation in Italian Cinema of the 1960s and 1970s” in the edited volume Cinema of Exploration: Essays on an Adventurous Film Practice (AFI/Routledge, 2021).
In 2020, Professor Anne Donadey (French and Women’s Studies) published a single-authored book, The Algerian War in Film Fifty Years Later, 2004-2012 (Lexington). She also published a chapter on “Postcolonial Feminism, Gender, and Genre in Rachid Bouchareb’s Just like a Woman” in the edited volume ReFocus: The Films of Rachid Bouchareb (Edinburgh University Press).
Professor Mathias Schulze (German and European Studies) co-edited a special issue of the journal Language and Sociocultural Theory (2021) on Conceptualization and Orientation in Concept-based Language Instruction with B. White and G.A. Gánem-Gutiérrez. The special issue includes an introductory article on the topic by the three co-editors.
Professor Veronica Shapovalov (Russian and European Studies) published “Vilna Ghetto in Women’s Memoirs” in the Proceedings of the 13th International Academic Conference of Russian Association of Researchers in Women’s History dedicated to Men and Women in Traditional and Contemporary Culture: Preservation, Fixation, Understanding (Moscow: IZA-RAN, 2020).
Assistant Professor Cecilia Benaglia (French and Italian) published a single-authored book, Engagements de la forme. Une sociolecture des oeuvres de Carlo Emilio Gadda et de Claude Simon (Classiques Garnier) in 2020. She also published three journal articles: “L’apprentissage de la culture à travers les techniques du corps: savoir anthropologique chez Claude Simon” in Cahiers Claude Simon (2019); “L’héritage français et européen du roman italien des années 1960: un rendez-vous manqué” in Tangence (2018); and “Doxa/Paradoxa: Roland Barthes et l’engagement hors-scène” in Modern Language Notes (2017).
Professor Edith Benkov (French and European Studies) published “Courtship and Ritual” in the edited volume A Cultural History of Marriage in the Medieval Age (500-1450) (Bloomsbury, 2019).
Professor Clarissa Clò (Italian and European Studies) published two articles, “Passioni pulp e famiglie impossibili: diaspora, razza e sessualità in The Invisible Glass di Loren Wahl e Confetti for Gino di Lorenzo Madalena” in Ácoma: Rivista internazionale di Studi Nordamericani (2019) and “Disco Fever: Italian and American Diasporic Journeys” in Italian American Review (2018).
Professor Anne Donadey (French and Women’s Studies) published “Multilingual Strategies in Rachid Bouchareb’s Hors la loi” in the journal Contemporary French and Francophone Studies (2018). The article was co-authored by Wissem Brinis, an MA Candidate in French at SDSU who has since graduated. Donadey also participated in editing the volume Représentations de la guerre d’indépendance algérienne (Classiques Garnier, 2019), whose main editor is Maya Boutaghou. Donadey wrote the volume’s Afterword.
Dr. Felicitas Jaima (German) published “When Things Get Hairy: Afros, Cornrows, and the Desegregation of U.S. Military Hair Salons in West Germany” in the journal African and Black Diaspora (2017).
François Vanleene (formerly of the Language Acquisition Resource Center) and Professor Mary Ann Lyman-Hager (French and European Studies) published two journal articles, “Humanités numériques et pédagogie participative: Cas d’une classe expérimentale pluridisciplinaire inversée” (with Lise Mercurol) in Etudes de linguistique appliquée (2019) and “Flipping the Classroom to Teach an Exploratory French Civilization Course: An Interdisciplinary Approach” in the ADFL Bulletin of the Modern Language Association (2018).
Associate Professor Kristin Rebien (German and European Studies) published chapters in two edited volumes, “Sarmatien als politsche Utopie im Zeitalter der Berliner Mauer” in Sarmatien – Germanica Slavica – Mitteleuropa. Vom Grenzland im Osten über Bobrowskis Utopie zur Ästhetik des Grenzraums (Vandenhoeck & Ruprecht, 2020) and “Jenseits der Grenzen: Europa in der zeitgenössischen deutschen Literatur” in Das Politische in der Literatur der Gegenwart (de Gruyter, 2018).
Professor James L. Schorr (French and European Studies) published “The Economic Plight of ‘Spectators’ in the Early Eighteenth Century” in the edited volume Discourses on Economy in the Spectators / Discours sur l’économie dans les spectateurs (Verlag, 2018). His critical edition of Le Nouveau Spectateur français (1723-25) by Justus van Effen is about to be published by The Edwin Mellen Press in 2020.
Associate Professor Emily Schuckman Matthews (European Studies) published chapters in two edited volumes from Routledge, “The Prostitute as Everywoman: Examining the role and evolution of the sex worker in Russian Cinema” in Ruptures and Continuities in Soviet/Russian Cinema: Styles, characters, and genres before and after the collapse of the USSR (2018) and “Marginal or Central: Prostitution in Moscow” in World Film Locations: Moscow (2017).
Professor Mathias Schulze (German and European Studies) had three publications. His co-authored article “Learning trajectories and the role of online courses in a language program” appeared in the journal Computer Assisted Language Learning in 2018. He published another co-authored article, “Digital-gaming trajectories and second-language development” in the journal Language Learning & Technology (2017). His chapter “Computer-assisted language learning as complex adaptive systems” appeared in the Encyclopedia of Language and Education (Springer, 2017).
Professor Veronica Shapovalov (Russian and European Studies) published two articles, “Motherhood: Voices from the Gulag” in Focus on Gender: Studies in Anthropology, Family Ethnography and Social History of Everyday Life (2019) and “Analyzing A. I. Solzhenitsyn’s novel The First Circle through the prism of gender” in The Bulletin of Ryazan State University (2018). She also published two conference proceedings, “Strangers among their own: deported women form the Baltics in Russia (1941-1956)” [Chuzhie sredi svoikh; deportitovannye v Rossiiu zhenshchiny Pribaltiki 1941-1956)] in Women and Men in Migration Processes in Past and Present (2019) and “Women City-dwellers in the Gulag” [Gorozhanki v Gulage] in City Dwellers: Men and Women in Political, Economic, and Cultural Processes of Russian Urbanization XIV-XXI centuries (2018).
Dr. Daria Shembel (Russian and European Studies) published “When Women Call the Cuts: The Marina Razbezhkina School of Documentary Film” in the journal Apparatus: Film, Media, and Digital Cultures in Central and Eastern Europe in 2018.
Imagine Euorpe Presents Jose Alaniz
National Precarity in Post-Soviet Eurasian Comics
Tuesday, Nov. 15, 2022 | 12:30-1:45 p.m. | Gold Auditorium, Shiley Bioscience Center
Provided via Zoom as well.
Jose Alaniz is a professor in the Department of Slavic Languages and Literatures and the Department of Cinema and Media Studies at the University of Washington, Seattle. Dr. Alaniz has published three monographs, Komiks: Comic Art in Russia (2010); Death, Disability and the Superhero: The Silver Age and Beyond (2014); and Resurrection: Comics in Post-Soviet Russia (2022). He was a founding board member of the Comics Studies Society and his current book projects include Comics of the Anthropocene: Graphic Narrative at the End of Nature. In 2020 he published his first comics collection, The Phantom Zone and Other Stories (Amati Comix). He lives blissfully with his wife and 25 animals in rural Washington state.
Co-sponsored by the Department of European Studies, the Center for European Studies, the European Studies program with CAL IRA funds, Department of History, SDSU Comics, the Center for War and Society and the SDSU Press.
Imagine Europe and Humanities in Action present
A reading and discussion with German novelist Bernhard Schlink
Monday, Oct. 24, 2022 | 11-11:50 a.m. | Scripps Cottage, SDSU
Free and open to the public.
Internationally acclaimed novelist Bernhard Schlink will read from his latest novel, "Olga." This 2018 novel, first translated into English in 2020, tells the story of two unlikely lovers, Herbert and Olga, who are swept up in the turbulence of the twentieth century. Narrated from Olga’s perspective, the novel portrays major events in European history, including colonialism in Africa; displacement and expulsion from Eastern Europe in the 1940s; and the student movement in 1968. Alida Becker, writing in the New York Times, describes Olga as being “caught between worlds”: “A quietly determined German schoolteacher,” Olga is “a survivor of two world wars” who spends “a lifetime waiting for a lover who may never return.”
Bernhard Schlink’s background as a legal scholar and former constitutional court justice informs the clarity and incisiveness of his poetic language, as well as the moral questions he raises in his fiction. Professor Schlink taught law and legal philosophy at the Humboldt University in Berlin and at the Benjamin N. Cardoza School of Law in New York City. In addition to his scholarly writings, he has authored over ten novels and short story collections, beginning with the 1987 co-authored crime novel "Selbs Justiz," translated into English as "Self’s Punishment." He is best known for his 1995 novel "The Reader," a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. It became the first German novel to reach #1 on the New York Times bestseller list. The 2008 film adaptation, directed by Stephen Daldry, was nominated for five Academy Awards and starred Ralph Fiennes and Kate Winslet, who won the Academy Award for Best Actress.
The event is co-sponsored by the Departments of European Studies and English and Comparative Literature and received funding from IRA, the Center for European Studies, Humanities in Action, CAL’s Dean’s Office, and Adventures by the Book.
EmbarRACEments: African Diaspora and Afrophobia in Italy
Thursday, September 29, 2022
Donald P. Shiley BioScience Center, Gold Auditorium, SDSU
While Italians supported the Black Lives Matter movement that was born in the United States, many remain blind to the rampant racism in their own society. In Italy there is excessive fear and great aversion to Africans, a condition which the UN and EU refer to as “Afrophobia.” This is a systemic, endemic phenomenon with multiple origins that contributes to a negative representation and perception of Africa. This view is at the root of racism in Italy, a racism that often expresses itself in the banality of people’s everyday language, micro-aggressions, and hypersexualized approaches toward women.
This presentation includes readings from Kossi Komla-Ebri’s two volumes of personal, ironically humorous anecdotes, translated in English as EmbarRACEments: Daily Embarrassments in Black and White . . . and Color (2019), focusing on issues of inclusivity, racism, and cultural conflict. EmbarRACEments tells the embarrassment of difference, the discomfort related to the Other, the culturally different, and, especially, the visibly different.
Kossi A. Komla-Ebri, born in Togo, is a medical surgeon and award-winning writer who lives near Como, Italy. His publications include Neyla (2002, 2019), translated and published in the USA, his volumes of anecdotes, Imbarazzismi, and Nuovi Imbarazzismi, translated into English (EmbarRACEments 2019), French (Embarracismes-Le racisme au quotidien, 2016) and Arabic (2021). He has recently published two books of fables, Gente udite la mia favola and Le due lezioni (2022), and a collection of short stories Avant que tombe la nuit (2021). The English translation of eleven short stories was published as Home by Bordighera Press in 2022.
He has been invited to speak at numerous conferences in Italy and internationally and has presented at university courses on issues related to Africa, black Italy, integration, interculturalism and migration literature.
Sponsored by the the Department of European Studies, the Center for European Studies, the Italian Program and the Department of Africana Studies with CAL's IRA funds.
On Marginalization and the Limits of European Belonging
with Dr. Sunnie Rucker-Chang
Tuesday, Sept. 27th, 9:30-10:45am
Templo Mayor, SDSU, Aztec Student Union, Level 2
In this presentation Dr. Rucker-Chang will challenge the seemingly inclusive nature of “Europe” and “European” while recognizing these concepts as limited and inflexible. She will do so by discussing how articulations and expressions of “Europeanism” exclude marginalized communities and geographical peripheries on the European continent. The conversation will center on contemporary constructions non-EU, post-conflict, Southeast European countries, with an emphasis on Serbia, and negatively racialized populations that are regularly defined by way of their difference and distance from the majorities of their countries of residence.
Sunnie Rucker-Chang is an Associate Professor in the Slavic and East European Languages and Cultures and African American and African Studies departments at the Ohio State University. She is also the co-director of the Russian, East European and Eurasian Studies (R.E.E.E.S) Undergraduate Think Tank at Howard University. She writes on culture, marginalization, and media in Southeast Europe.
Sponsored by the Department of European Studies lecture series "Imagine Europe," the Center for European Studies and the European Studies program with CAL IRA funds, the History Department IRA for the lecture series "Refugees, Migrants, Minorities, and War in Modern Europe and Beyond” and the SDSU Center for Human Rights
Solidarity with the People of Urkraine Concert
with Alex Kiskachi and Leo Chelyapov
May 5, 2022
in Physics Building P244
Please join the Russian Program for a free concert by Alex Kiskachi Band to show solidarity with Ukraine!
Alex Kiskachi is a San Diego-based musician, singer, and songwriter. Originally from Moscow, Russia, he is well known far beyond the Southern California scene, where he regularly performs with his band or solo unplugged. Alex’s music fuses the gloom yet self-irony and raunchiness of blues, the drive, and madcapping of rock-n-roll, the pure emotion of Latin rhythms. His lyrics are deeply metaphorical and filled with wordplay and symbolism, yet follow the best traditions of Russian poetic heritage. His musical influences encompass a wide range of seemingly eclectic sources: from the early 20th-century Russian chansonnier Alexander Vertinsky to legendary Russian rock bands Aquarium and Auktyon, from Paul Simon to Tom Waits.
Many outstanding musicians have played and currently play in Alex Kiskachi's band. This time, he is joined by Leo Chelyapov, a well-known saxophone and clarinet player and a former member of legendary Russian rock bands “Brigada S” and “Bravo.” He is currently the leader of the Los Angeles-based klezmer orchestra “Kings of Klezmer.”
Alex Kiskachi’s albums: "Chronicle" and "Unfaithful Syncopations." Currently working on the third, yet unnamed, album.
Alex Kiskachi’s website | More songs
Co-sponsored by the SDSU Department of European Studies and the Center for European Studies with CAL IRA funds.
The Théâtre Français de SDSU presents
April 29 and 30, 2022
at Scripps Cottage
A modern western by Marie Redonnet. Murders, smuggling, and young lovers all collide
in the border town of Fort Gambo.
In French with English synopsis provided.
Production financed by European Studies, IRA Funding and Le Cercle français
Imagine Europe Presents
Ukraine: Voices from Kyiv
March 17, 2022, at 9:30 am
Attend live in Storm Hall 123 or Join via Zoom
Check out the event recording.
Taras Mazyar and his family will join us via Zoom to discuss their experience living under siege in Kyiv, including helping countrymates with evacuation efforts.
Taras Mazyar earned an M.A. degree from the University of Notre Dame. He interned at the Ukrainian Ministry of Foreign Affairs Department of the European Union and worked as an assistant to the Chairman of the Parliamentary Committee for Foreign Affairs researching issues of human rights protection, migration, minority rights and WTO-related issues. Additionally, he worked at the Pylyp Orlyk Institute for Democracy, dealing with issues of democracy-building in Ukraine.
Organized by Zamira Abman, Director and Undergraduate Advisor, Comparative and International Studies and Emily Schuckman-Matthews, Director of European Studies and Associate Professor
Co-sponsored by the SDSU Department of European Studies, the Center for European Studies, and the Italian program with CAL IRA funds.
French and Francophone Film Festival 2022
Albertine Cinematheque at SDSU
- 7pm. 35 Shots of Rum (2009, dir. Claire Denis)
- 5pm. Story of a Three Day Pass (1967, dir. Melvin Van Peebles)
- 7pm. Night of the Kings (2020) dir. Philippe Lacote)
- 7pm. A Dramatic Film (2019, dir. Eric Baudelaire)
- 5pm. Slalom (2020, dir. Charlène Favier)
- 7pm. Little Girl (2020, dir. Sébastien Lifshitz)
All films screen in LT 161 and are free of charge and have English subtitles.
More info at https://www.facebook.com/FrenchFilmFest
Imagine Black Europe Presents: Tiffany N. Florvil
Black German Women and Intellectual Activism
Thursday, March 10 | 12:30-1:45 pm
Location: Peterson Gym 153
In 1985, Black German men and women united and created a diasporic movement that connected people from across the nation. But Black women were key figures in the movement who helped to determine its cultural, political, and intellectual contours. Specifically, Dr. Florvil examines May Ayim and Ricky Reiser as examples of what she has coined “quotidian intellectuals,” intellectuals who stress the everyday in form and content. These two women, she argues, decolonized German knowledge in ways that made the Black diaspora and Black Germanness legible. Through their intellectual work, these Black German women also made significant epistemic interventions that allowed them to write themselves into German and diasporic history.
Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African diaspora, Black internationalism, as well as gender and sexuality. Her award-winning manuscript, Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), offers the first full-length study of the history of the Black German movement of the 1980s to the 2000s.
If you are unable to attend in-person and would like to join virtually, please register for the link.
Sponsored by the Department of European Studies with CAL IRA funds, the Center for
European Studies, the Department of History, Africana Studies and the Institute for
Ethics and Public Affairs (IEPA).
Russia's War Against Ukraine: A Historical and Contemporary Perspective
Wednesday, March 9 | 4-5:30 pm
Location: Music, Room 120
Free and open to the public.
- What are the origins of the Russia-Ukraine war?
- Why has Putin invaded Ukraine?
- What is the war’s global implications?
- How will this end?
Join SDSU Professors Mikhail Alexseev (Political Science) and Pierre Asselin (History) for the latest and most pertinent insights on these and related issues. Professors Emily Schuckman Matthews (European Studies) and Daria Shembel (Russian Studies) will provide commentaries. Moderated by Director of SDSU’s Center for Human Rights Grace Cheng.
Sponsored by the Dwight E. Stanford Endowment, Center for Human Rights, Center for War & Society/USS Midway Endowment, International Security and Conflict Resolution (ISCOR), and Departments of History and Political Science.
Contact Professor Pierre Asselin at [email protected] for more information.
Exoticism, Eroticism, and Harem Culture: Gender Issues in 19th and Early 20th Century German Orientalism
Thursday, February 17 | 9:30-10:45 am
Lecture by Melda Baysal Walsh, Ph.D.
Arabian nights, Eastern women, the harem, exoticism, anderoticism: what else comes to mind when thinking of thecolorful world of the Orient? In order to challenge theseWestern stereotypes, which have been abundant sincethe Middle Ages and reflect only a few of the manyprejudices contained in the Western understanding of“Orientalism”, Dr. Walsh’s research examines culturalrepresentations of "oriental", African and occidentalwomen in literary texts by nineteenth- and earlytwentieth-century German and Austrian writers (Hugo vonHofmannsthal, Ida Hahn-Hahn, Peter Altenberg, ElseLasker-Schüler) as well as in the visual arts.
Sponsored by IRA funds.
Virtual Book Talk
Monday, 12/6 | 12 - 1 PM PST
Virtual DH book talk featuring Andrea Righi (Associate Professor of Italian Studies at Miami University of Ohio).
Join us to discuss his latest book, The Other Side of the Digital: The Sacrificial Economy of New Media (University of Minnesota, 2021), a necessary, rich new examination of how the wired world affects our humanity. Andrea Righi deconstructs contradictions inherent in our digital world, examining how ideas of knowledge, desire, writing, temporality, and the woman are being reconfigured by our sacrificial economy. The Other Side of the Digital provides a necessary, in-depth cultural analysis of how the political theology of the new media functions under neoliberalism.
The talk will be of interest to anyone curious about how our self-image and perception of reality are skewed by technologies like fitness brands, matchmaking apps, and search engines, among others.
This event is sponsored by the Digital Humanities Initiative, the Italian Program,
and the Department of European Studies with CAL's IRA funds.
Art Across the Lines: A Panel on Voyage of the St. Louis
Join us for a discussion of San Diego-based Red Car Press’s new graphic novel, Voyage of the St. Louis, exploring the medium of comics, and the intersection of graphic novel and storytelling across borders.
Tuesday, November 16 | 11 a.m. | Digital Humanities Center, SDSU Love Library (LA 61)
- Antony Shugaar (Translator and Red Car Press)
- Alonso Nunez (Little Fish Comic Book Studio)
- Antonio Iannotta (Artistic Director, SDIFF)
Moderator: Elizabeth Pollard (Professor of History and [email protected])
About Voyage of the St. Louis – Courage on the High Seas, by Sara Dellabella and Alessio Lo Manto
On May 13, 1939, the German transatlantic liner St. Louis set sail from Hamburg. Its destination is Cuba. There are 937 Jews on board, fleeing the growing Nazi threat. The German captain, Gustav Schröder, is forced to steam back to Europe, after both Cuba and the United States governments refuse to help the passengers. Hopes are raised for placement with the host nations of Belgium, Great Britain, Holland, and France. As Nazi Germany prepares to invade Europe, the epilogue is a devastating one for many aboard the St. Louis. (The graphic novel was originally published in Italy by Round Robin).
Co-sponsored with CAL's IRA funds by the Italian Studies Program, the Department of European Studies, the Center for European Studies, [email protected], the San Diego Italian Film Festival, Red Car Press, and Little Fish Comic Book Studio)
"Translating Afro-Italian Blackness, Considering Gender"
A conversation with Barbara Ofosu-Somuah and Candice Whitney co-translators of Future. Il domani narrato dalle voci di oggi (Futures. Tomorrow Narrated by the Voices of Today), the first literary anthology by black Italian womxn, edited by Igiaba Scego.
Thursday October 21, 2021 at 11 on Zoom.
Co-sponsored by the Italian Program, the Department of European Studies, the Center for European Studies, the Department of Africana Studies and the Department of Women's Studies with CAL's IRA funds.
Candice Whitney is a researcher, writer, and international education professional, based in New Jersey. In 2016–17, as a Fulbright Scholar, she conducted research that explored how the diversity of African women’s entrepreneurial projects interrogates and challenges stereotypes about the African diaspora in Italy. She’s also the co-curator and cohost of the Virtual Salons: Discourses on Black Italia webinar series at NYU’s Casa Italiana Zerilli-Marimò. Whitney received her bachelor of arts in anthropology and Italian from Mount Holyoke College.
Barbara Ofosu-Somuah is a researcher, writer, and emerging Italian-to-English translator, from Accra,
Ghana, and the Bronx, New York. As a translator, she attempts to bring the works of
contemporary Afro-Italian writers to English-speaking audiences. She has received
both Thomas J. Watson and Fulbright research fellowships to investigate the racialized
lived experiences of Black people, primarily women, across the African diaspora. During
her Fulbright year, Barbara collaborated with various Black Italian organizations/collectives
as they unpacked the reality of concurrently embodying Blackness and Italianness in
a culture that perceives both identities as incompatible. Ofosu-Somuah has a bachelor
of arts in sociology, psychology, and Italian, from Middlebury College.
Film Screening: Baci rubati (Stolen Kisses, 2020)
On LGBT identities, struggles and survival in Fascist Italy.
In Italian with English subtitles.
Streamed online starting at 6 p.m.
(FREE when you select "buy ticket" and enter Code: SDSUBACI21)
Live Q&A discussion at 11 a.m. with directors Fabrizio Laurenti and Gabriella Romano
Sponsored by the San Diego Italian Film Festival, SDSU Italian Program, the Department of European Studies, the Center for European Studies and SDSULGBTQ+ Studies Program with CAL's IRA funds.
Our Spring 2021 Imagine Europe Series
Friday, April 30th & Saturday, May 1st at 7pm
Join us for Le Théâtre français de SDSU's Zoom production of "Feu la mère de Madame." There will be an introduction in English before the play begins and a live Q&A session with the virtual set design team at the end.
French Play Synopsis:
Lucien, who has finally made it home at 4am after a wild Parisian masquerade party, rings the doorbell repeatedly and finally wakes up his wife Yvonne, who, understandably irritated, starts to read him the riot act. (This is absolutely not the night to have forgotten the house keys!) But at the moment the two are about to get to bed, a servant rings with bad news: "Madame's" mother has died. Yvonne collapses, while Lucien's post-party state is barely up to it: with all the rich food and alcohol he's feeling a bit nauseous -- even Annette, their Alsatian maid cannot fix this one.
When a play starts out on that note, we know Feydeau is going to throw more surprises our way in this vaudeville comedy with a hilarious twist.
A Lecture by Stephanie Jed, Professor of Italian and Comparative Literature, University of California, San Diego
Thursday, April 22 at 11am
In honor of the 700th anniversary of Dante’s death, we will explore Dante’s Inferno as a roadmap for understanding how we might, in today’s world, strengthen our communities and relations of justice through responsible reading and thinking.
Co-sponsored by the Italian Studies Program, the Department of European Studies, the Center for European Studies, the College of Arts and Letters and the Italian Institute of Culture in Los Angeles.
April 4-24, 2021
Presented in collaboration with the Department of European Studies, the Center for European Studies, the LGBTQ Research Consortium and FACE Council.
All films streamed for free and with English subtitles. Click on film title below for more information.
Dir. David Lapid 2019 / 123 min.
With Synonyms, Israeli director/writer David Lapid turned to his own experience as a young exile in France twenty years ago to tell the story of Yoav, a young Israeli who arrives in Paris knowing no one and barely speaking French but committed to forgetting his homeland and becoming a Frenchman.
Dir. Christophe Honoré 2019 / 86 min.
With this fanciful notion of a mature woman taking stock of her life through encounters with her ghosts, leading French auteur Christophe Honoré sends a love letter to cinema, and a singular tribute to a wonderful actress, Chiara Mastroianni.
Dir. Djbril Diop Mamberty 1992/ 110 min.
Djibril Diop Mambéty adapted Swiss dramatist Durrenmatt’s The Visit, setting this universal tale of revenge and moral corruption in an African context, balancing references to folklore, parallels between humans and animals, and an astute sense of Senegal and the African continent’s place in the global economic order. This restoration underscores masterpiece’s enduring relevance.
Dir. Bruno Dumont 2019 / 138 min.
Dumont, predictable only in his unpredictability, keeps us on our toes by casting ten-year-old Lise Leplat-Prudhomme, who played young Joan in the first film, in the role of mature Joan. Her steely performance conveys an otherworldly resilience that gives Joan’s spirituality a concrete presence, suggesting a bold new approach to this oft-told tale.
Dir. Agnès Varda 2019 / 120 min.
As anyone who has ever seen an Agnès Varda movie knows, Varda would not simply be satisfied with retreading her accomplishments: this is a film as open to the future as it is to the past, full of insight and inspiration for young filmmakers, artists, and thinkers, and imbued with Varda’s incomparable swiftness of thought and warmth of feeling.
Dir. Céline Sciamma 2019 / 122 min.
Sciamma’s art has rarely been more delightful to behold than in the way she teases out the shift from the artist’s dispassionate gaze to the yearning admirer’s look of desire. As the two young women experience a brief burst of love and freedom, that will remain with them for the rest of their lives, Sciamma challenges the viewer to guess who is looking at who, raising complicated questions not only about desire but the history of artists and their models.
Santanu Das is Professor of Modern Literature and Culture and Senior Research Fellow at All Souls College, University of Oxford. He is the author of Touch and Intimacy in First World War Literature (2006) and the editor of Race, Empire and First World War Writing (2012). His latest book India, Empire and First World War Culture: Writings, Images, and Songs (Cambridge, 2018) was awarded the Hindu Literary Prize for Non-Fiction in India and the European Society for the Study of English Book Prize in 2020.
Cosponsored by: The Center for European Studies, The European Studies Program, the Department of European Studies and the Department of History
20th Anniversary Celebration
The Department of European Studies celebrates 20 years at SDSU!
Spring 2020 Imagine Europe Series
Skins, Lines, Borders: Geographic Expertise and the Mapping of Eastern Europe in 1919.
Wednesday, February 5
Featuring: Steven Seegel, University of Northern Colorado
Sponsored by the Center for European Studies, the European Studies Department, European Studies Program and the Geography Dept. Made possible by IRA funds from CAL.
Remembering Reconciliation: Polish-German Relations in the Media after 1945.
Thursday, February 27
Featuring: Dr. Annika Frieberg, SDSU
Sponsored by the Center for European Studies, the European Studies Department, and the European Studies Program. Made possible by IRA funds from CAL.
Asylum After Empire: Colonial Legacies in the Politics of Asylum Seeking
Thursday, March 5
Featuring: Lucy Mayblin: Senior Lecturer in Sociology, University of Sheffield
Asylum seekers are not welcome in Europe. But why is that the case? For many scholars, the policies have become more restrictive over recent decades because the asylum seekers have changed. This talk, based on Mayblin's book Asylum After Empire, draws on theoretical insights from Third World Approaches to International Law, post- and decolonial studies, and presents archival research on the colonial context to the Geneva Convention negotiations. Policies which address asylum seekers must, the book argues, be understood not only as part of a global hypermobile present, but within the context of colonial histories.
Sponsored by the European Studies Dept, European Studies Program, Italian Program,
ISCOR, Dept of Philosophy, Dept of Sociology, Dept of Political Science and made possible
by an IRA award from the College of Arts and Letters.
2019 French Language Conference & Job Fair
Tuesday, November 19
Make French one of your professional assets!
French language is a highly valued and competitive advantage at any stage of your career or studies. Discover companies and network with professionals who will share their expertise in how French opens new doors and possibilities.
- One-on-one Meetings: Meet directly with companies seeking to hire French speakers
- Workshops: Tailor your CV and cover letter, learn how to prepare for interviews
- Debates and Roundtables: Learn about the importance of French for domestic and international job markets
Join us for the event series, Imagine Europe, which represents the variety and uniqueness of European Studies.
These events are sponsored by the Center for European Studies.
Roots and Legacy of Italian Feminism (English)
Il canto V di Dante e l'eccessiva forza dell'amore (Italian)
Tuesday, February 26
Two lectures by Andrea Righi (Associate Professor, Miami University of Ohio), co-author with Cesare Casarino of Another Mother: Diotima and the Symbolic Order (University of Minnesota Press, 2018).
Co-sponsored with the Italian Program and Department of Women's Studies, and made possible by an IRA award from the College of Arts and Letters.
Cinderella Today: Rewriting, Adapting, and Translating a Classic Fairy Tale
Monday, March 4
Presented by the European Studies Department, in partnership with the College of Arts and Letters, the National Center for the Study of Children’s Literature, English and Comparative Literature Department and the student org - Le Cercle Français/French Club
Joseph Thomas , “Cinderellas, Cinder Sluts, and Ashen Heaps, or Translation as Adaptation and Adaptation as Translation”
Audrey Coussy, “Translating All the Ever Afters in French – Recreating Cinderella and Early Modern England in the 21st Century”
Danielle Teller, author of All the Ever Afters. The Untold Story of Cinderella’s Stepmother, in conversation with her translator.
Songs of Memory and Resistance: Gabriella Ghermandi's Italian-Ethiopian Storytelling
Tuesday, March 5
Italian-Ethiopian author and performer Gabriella Ghermandi will discuss her multifaceted work as writer, singer and storyteller. She is the author of the acclaimed novel Queen of Flowers and Pearls, a marvelous voyage in time and space intertwining multiple stories of resistance from the age of Italian colonialism to contemporary migrations. Originally published in Italian in 2007, it was translated in English in 2015 and in Amharic in 2017.
Gabriella Ghermandi was born in Addis Ababa, Ethiopia, her mother's land, and lived there until the late 1970s when she was forced to relocate to Bologna, her father's hometown in Italy, where she still lives. She uses storytelling and live performance to reach diverse audiences and foster mutual empathy. She is also the creator and lead singer of The Atse Tewodros Project, an artistic collaboration between Ethiopian and Italian musicians.
Co-sponsored with Circolo italiano, the European Studies Program, Dept. of European
Studies, Dept. of Africana Studies, Dept. of Women's Studies, Interdisciplinary Human
Rights Initiative, The Center for European Studies, and Common Experience: Time.
French and Francophone Film Festival 2019
March 7, 8, 9 & 14, 15, 16
San Diego State University
Free admission - all films screened with English subtitles.
Presented in collaboration with the Department of European Studies, the Center for European Studies, and the LGBTQ Research Consortium and FACE Council.
Support for the Tournees Festival is provided by The French Ministry of Foreign and
European Affairs/ The Centre National de la Cinematographie The Florence Gould Foundation/
The Grand Marnier Foundation/ highbrow entertainment.
A Talk by Elif Shafak
Tuesday, April 9
Award-winning Turkish contemporary literary voice Elif Shafak will discuss Three Daughters of Eve, her new novel about an unexpected friendship between three Muslim women from very different cultural backgrounds who meet while studying at Oxford University.
Co-sponsored with the European Studies Program, Department of Women’s Studies, CAL
(Dean’s support fund) and Instructionally Related Activities.
Salaam-Shalom: Building Alliances Against Antisemitism and Islamophobia in Europe
Tuesday, April 30
Activist and founder of Salaam-Shalom, Ármin Langer, will speak about the efforts of the initiative to promote a peaceful coexistence of Jews, Muslims and their allies in Europe.
Co-sponsored with German Studies, Department of European Studies, Department of Political Science, ISCOR, Center for Islamic and Arabic Studies, and CAL's IRA funds.
6th Annual World Languages Symposium
Dr. Clarissa Clò (Italian Studies, Chair of European Studies) delivered the keynote
speech at the 6th Annual World Languages Symposium sponsored by the North County Higher Education Alliance, hosted by MiraCosta College
(San Elijo Campus) on October 26, 2018. Her presentation was entitled "High-Impact Pedagogies in Foreign Language Education." Accompanying her were two student presenters: Mariana Barrios and Jorge Hernandez.
The College of Arts and Letter 2018 Commencement will be on Friday, May 11th at 10 a.m. in Viejas Arena at the Aztec Bowl. The departmental ceremony will take place on the same day at at 1:30 p.m. in West Commons 220.
For the second time in 3 years our department has 2 Most Influential Faculty, chosen by the Outstanding graduating seniors in German and in Comparative International Studies.
Christopher Deutschman, Outstanding Graduating Senior in European Studies - German
Christopher Deutschman is a graduating senior with a double major in Mechanical Engineering and German, and an Honors Minor in Interdisciplinary Studies. He spent his sophomore year in Germany, studying German through the CSU International Program in Tübingen and taking mechanical engineering classes in German at Ulm University of Applied Sciences in his second semester. He earned straight As in all his German classes, writing papers and giving presentations, in German, on topics ranging from Goethe’s Werther to the European Union. He has worked as a teaching assistant in the Department of Mechanical Engineering, a research assistant in the SDSU’s microelectromechanical systems lab, and as a preschool teacher during his time in Germany. Additionally, he has been involved in many student organizations on campus, including Mortar Board, the Global Aztec Alliance, the College of Sciences Student Council, and oSTEM at SDSU. Following graduation, Christopher will pursue a Masters in Chemical Engineering at the University of Waterloo, in Ontario, Canada.
Most Influential Faculty Member
Dr. Kristin Rebien has been my professor for every German course I have taken since my return from my study abroad in Germany, and she has been instrumental in shaping my relationship with the language I’ve learned and the cultural I’ve come to know. Through her classes, I have been able to explore the history and future of Germany, and in parallel to that, the growth of the European Union and supranational bodies all over the world. Not only do I feel monumentally more confident in my German language abilities, I also feel more informed and engaged with Germany and the European Union as they are now. Under her guidance, I have become more active in trying to understand the political and cultural landscapes around me, and I know that I am a better global citizen because of it.
Kristin Rebien is an Associate Professor of German and European Studies and the Director of the German Program at SDSU. She holds M.A. degrees in German and Political Science from the University of Leipzig, Germany, and a Ph.D. in German Studies from Stanford. Her research focuses on the interface between literature and politics, philosophy, and the visual arts in the twentieth and twenty-first century German culture. She joined the SDSU faculty in 2006.
Lisette Kelly, Outstanding Graduating Senior in Comparative International Studies
I grew up in a small mountain town in Southern California. I come from a big, French Basque family. My culture is very important to me and there is nothing I value more than my family. Being second generation, my appreciation for my culture has sparked an empathy in me for the rest of the world. I love history, political science, and any discipline that enlightens why humanity is the way it is. I am a transfer student from SDCCD and chose SDSU because it had been my dream since I first visited the campus at 16 years old. I hope to be able to use the knowledge I have accrued at SDSU to make the world a better place.
Most Influential Faculty Member
I chose professor Schorr as my most influential faculty member because he made me realize that perfecting and continuing to use my French is one of my main priorities. He is extremely lively in the classroom and makes the material easy to relate to and remember. Above all, he has inspired me to continue my French and worked actively to show me ways to make that happen.
James L. Schorr is an Emeritus Professor of French. His research interests include the Enlightenment and a number of 18th century writers, especially the works of Justus van Effen.
This has been a year of exciting upcoming changes for the department. First, we are thrilled to welcome Professor Mathias Schulze, who will be joining the department as the new Director of the Language Acquisition Resource Center (LARC) this summer. Professor Schulze is currently Professor of German and Director of the Waterloo Centre for German Studies at the University of Waterloo, Canada. He is the recipient of a 2001 PhD in Language Engineering from The University of Manchester (UMIST, Manchester, UK) and a 1990 MA in German and Russian from Leipzig, Germany. He is co-author of the scholarly book Errors and Intelligence in Computer-Assisted Language Learning: Parsers and Pedagogues (Routledge, 2007), has edited eight books and special issues of scholarly journals, and published about sixty articles and chapters in edited collections. He has been co-editor of the prestigious CALICO Journal (Computer-Assisted Language Instruction Consortium) since 2011. This is our first hire since 2011. Many thanks go to Associate Professor Kristin Rebien (German and European Studies) for chairing the search committee.
Second, Professor Mary Ann Lyman-Hager (French; Director of the Language Acquisition Resource Center) received the 2017 California Language Teachers’ Association Hal Wingard Lifetime Achievement Award. This prestigious award recognizes an individual’s dedication and commitment to the language teaching profession over an extended period of time. She will be passing the LARC Director baton to Mat Schulze and retiring in August after 20 years at SDSU. She will be back teaching part time in the department starting in Fall 2017.
Third, Associate Professor Clarissa Clò (Italian and European Studies) was promoted to the rank of Professor, effective in August 2017.
Fourth, after seven years of service, Professor Anne Donadey is stepping down as Chair of the Department of European Studies and returning to the faculty full time in August 2017. Professor Clarissa Clò has been selected as the new department Chair. She will provide new vision, creative energy, and innovative ideas for the future of the department.
Other Honors, Awards, and News:
Three faculty members—Professors Clarissa Clò, Anne Donadey, and Emily Schuckman-Matthews—were granted Critical Thinking Grants (one course release each) to focus on their current research and writing projects. The Critical Thinking Grants are funded through the generosity of philanthropic donors to the College of Arts and Letters. They contribute to supporting faculty research and teaching excellence.
Two faculty members—Professors Anne Donadey and Kristin Rebien—were awarded Assigned Time for Exceptional Service to Students (one course release each). These are competitive awards and our department received half of the four awards granted in the College of Arts and Letters this year. These awards were instituted three years ago as part of the faculty union contract to acknowledge service work done by faculty above and beyond the call of duty. The hard work and commitment of our faculty is evidenced by the fact that our department has yielded four of the fourteen awards (29%) granted over the past three years.
Professor Anne Donadey (French and Women’s Studies) will be on sabbatical leave in Fall 2017 to work on her book manuscript, tentatively titled Hiccups of Memory: The Algerian War in Film Fifty Years Later, 2004-2012. Sabbaticals are granted through a competitive process at SDSU.
Alumnus Erik Homenick (French M.A. graduate, December 2015) was accepted into the PhD program in Literature at UCSD and will start his studies in the fall.
Last but not least, Outstanding Graduating Senior Anna Shipulina (Russian major, European Studies minor) selected Professor Veronica Shapovalov (Russian and European Studies) as her Most Influential Faculty member.
Professor Edith Benkov (French and European Studies) published a chapter, “Gender and the Prosecution of Heresy in the French Courts” in the edited book collection Representing Heresy in Renaissance France in 2017.
Associate Professor Clarissa Clò (Italian and European Studies) published three essays. In 2016, her co-authored article, “Regarding the Pain of Others: Migrant Self-Narration, Participatory Filmmaking, and Academic Collaborations” appeared in the California Italian Studies journal and her chapter, “Presente tra-passato, futuro e continenti: transmedia storytelling e gli archivi postcoloniali possibili” was published in the edited book Presente Imperfetto: Eredità coloniali e immaginari razziali contemporanei. Another chapter, “Transmedia Collective Storytelling from below: Timira and the New Italian Epic” appeared in the edited book collection Encounters with the Real in Contemporary Italian Literature and Cinema in 2017.
Professor Anne Donadey (French and Women’s Studies) edited the volume Approaches to Teaching the Works of Assia Djebar, published by the Modern Language Association in their Approaches to Teaching World Literature Series in 2017. She also co-edited an anthology with three SDSU colleagues, Professors Bonnie Kime Scott, Susan Cayleff, and Irene Lara. Women in Culture: An Intersectional Anthology for Gender and Women’s Studies, Second Edition was published by Wiley Blackwell in 2017.
In 2017, Dr. François Vanleene (LARC) and Professor Mary Ann Lyman-Hager (French and European Studies and LARC Director) and published version 2.0 of an interactive textbook produced and distributed by the Language Acquisition Resource Center, La Civilisation française: Cours en ligne en 20 chapitres.
Associate Professor Kristin Rebien (German and European Studies) published an article, “Whose Nation? Political Johannes Bobrowski’s Case for Inclusive Communities and Basic Liberal Rights” in the German Studies Review in 2017.
Professor Veronica Shapovalov (Russian and European Studies) published a conference presentation, “Motherhood in the GULAG: Mother, Mom, Mommy” in Motherhood and Fatherhood through the Prism of Time and Cultures. Proceedings of the IX International Conference of the Russian Association for Research in Women’s History (RARWH) in Russia in 2016.
Dr. Daria Shembel (Russian) published an article, “Born in the USSR: Children vs. Ideology and the Impact of Database Cinema” in Slovo: An Inter-Disciplinary Journal of Russian, East-Central European and Eurasian Affairs in 2016.
Thanks to all of you for your hard work and congratulations on your awards and achievements!